Your thunder and flash and spectacle
Envelops us, fills space
Music swells, lights flare
Wrapped in drama’s clothing
Becomes our world.
You seem so proud
So sincere in your fervor
That it breaks my heart to say it
But your god doesn’t speak to me.
Continue reading Notes on an Easter Pageant
I attended the Original Practice Shakespeare Festival‘s “Much Adoe About Nothing” in Kenton City Park. I loved it. The cast were a fun and energetic bunch, and the intimacy of our close proximity on the grassy lawn, with the players’ antics spilling freely among the audience, made the whole spectacle a delight.
The most eye-opening part of the production was the “Original Practice” itself. The troupe is dedicated to reviving the actual acting techniques of Shakespeare’s day, when new plays were being written and performed at breakneck pace, and an acting company didn’t have the luxury of extensive rehearsal and meticulous preparation. Instead they carried their lines on scrolls, and charged in with “limited rehearsal; an onstage prompter; fast-paced, energetic acting; and lots of audience interaction.”
OPS Fest recreates that practice, and the result was enthralling. I love live Shakespeare, and I’ve seen some fine performances, but what I experienced at Kenton park on Sunday was like nothing I’d seen before. You might think reading their lines from cue scrolls might render the performances lifeless, but not so! Instead the play crackled with life, brimmed with humanity, and embraced messiness.
Continue reading Shakespeare for all of us