I played two games of The Dreaming Crucible with some old friends and new at Vancouver, WA’s Gamestorm convention last month. I had fun in both, but the second game did something the first one didn’t: it moved me to tears.
The Dreaming Crucible is designed to enable the kind of raw, vulnerable stories that provoke strong, even cathartic reactions in the participants, but I’ve rarely seen this potential fully realized. Usually, the story produced is imaginative, engaging, and satisfying, but the emotional impact is fairly light. Once or twice a game has educed a quiver of emotion from me. But more often the better games I’ve played feel right, like all the basic elements I envisioned for the game are present and operating properly, but the result is merely…diverting.
The Sunday game at Gamestorm was different. I could tell from the start that something special was going on; I began as I usually do by explaining the I Will Not Abandon You mode of playing the game, which is generally greeted with nods and shrugs, as if to say, “oh, that’s nice.” But this time my fellow players Drew and Lisa responded with satisfied mmms and a gleam in the eye. I could tell they were switched ON, and ready to truly, enthusiastically play with vulnerability. And when we played, something wonderful happened.
Continue reading A Piece of Myself
Its time for another installment of The Dreaming Crucible online edition! The Crucible is my storytelling game about young people working through their pain in a deadly Faerie quest. It’s available on Etsy.com or the Indie RPGS Un-store as a handmade book (see the above link), but the text itself is available under a Creative Commons Attribution Share-Alike license. And so I’m releasing it in sections, first here on my blog, and soon to be compiled into a Wiki.
Last time I talked about the game’s narrative Principles of Play, but today I’m going to delve into an even more basic principle that embodies the Crucible’s underlying philosophy.
The Dreaming Crucible is a game about teenagers and children coping with trauma and heartache. This can take a relatively mild form, or it can delve into the darkest corners of alienation and abuse. Furthermore, a happy ending is possible but not assured. Are you willing to risk that? How far are you willing to go in depicting a child suffering? How young a protagonist are you comfortable with portraying in such excruciating circumstances? These are important questions to answer as a group.
The Dreaming Crucible is not safe. My hope is that you will enter into a relationship with the game and with your fellow players, such that you will go to the dangerous places together in mutual bravery and trust. Game designer Meguey Baker has coined this distinction as Nobody Gets Hurt vs. I Will Not Abandon You.
She says, “I as a player expect to get my buttons pushed, and I will not abandon you, my fellow players, when that happens. I will remain present and engaged and play through the issue. I as a player expect to push buttons, and I will not abandon you, my fellow players, when you react. I will remain present and engaged as you play through the issue.”
I Will Not Abandon You is the default mode of Dreaming Crucible play.
Continue reading The Dreaming Crucible: I Will Not Abandon You.