Free Play 1 – The Sources

As promised a couple of weeks ago, I’m taking a look at Stephen Nachmanovitch’s Free Play: Improvisation in Life and Art to see how it integrates with my current understanding of creativity, spontaneity and collaboration. It was one of my first encounters with the subject a decade ago, and I want to see how I relate to it now and deepen my understanding and practice.

Section 1: “The Sources” talks about creativity, what it “is” and where it “comes from.” He describes the goal of the improviser as “moment-to-moment nonstop flow.” The process looks something like: allow yourself to be in the moment, relax and let one moment flow into the next, sculpting your art in real time, daring to express your inmost nature. In that way you can free yourself to create for the sheer joy of the act itself, and ultimately “disappear” in the absolute immersion of the work.

Sure, sounds simple enough, but how, right? Well, there are lots of techniques and practices that aim toward this. But there’s no easy “spontaneous creativity” switch inside a person that they can throw and let it out. It’s a process, a wax-on, wax-off journey that develops the skill by practicing it until it becomes as natural as breathing. Continue reading Free Play 1 – The Sources

Free Play: a Flute and a Prologue

10 years or so ago I picked up a little book called Free Play: Improvisation in Life and Art by Stephen Nachmanovitch.  It lit up my whole switchboard and gave me a philosophy and direction for creative living. Its subtitle even found its way unconsciously into Story by the Throat’s tagline. This book was one of the first sources to talk about something I had a thirst for. I read it over and over, soaking up Stephen’s exciting ideas.

But now a decade later I find I’m barely closer to realizing these principles in my own life. So I’m going to take a closer look, step by step, and see how Free Play‘s concepts connect with the other things I’ve learned and experienced with creativity, spontaneity and collaboration.

I’ll begin delving into it in the next few days. Meanwhile, I present the Japanese folk tale from the book’s prologue. It speaks volumes all by itself: Continue reading Free Play: a Flute and a Prologue